During a long English summer in the early 1980s, two schoolboys from differing backgrounds set out to make a film inspired by <a href=">First Blood (1982).
SON OF RAMBOW is the name of the home movie made by two little boys with a big video camera and even bigger ambitions. Set on a long English summer in the early &#39;80s, SON OF RAMBOW is a comedy about friendship, faith and the tough business of growing up. We see the story through the eyes of Will, the eldest son of a fatherless Plymouth Brethren family. The Brethren regard themselves as God&#39;s &#39;chosen ones&#39; and their strict moral code means that Will has never been allowed to mix with the other &#39;worldlies,&#39; listen to music or watch TV, until he finds himself caught up in the extraordinary world of Lee Carter, the school terror and maker of bizarre home movies. Carter exposes Will to a pirate copy of Rambo: First Blood and from that moment Will&#39;s mind is blown wide open and he&#39;s easily convinced to be the stuntman in Lee Carters&#39; diabolical home movie. Will&#39;s imaginative little brain is not only given chance to flourish in the world of film making, but is also very handy when it comes to dreaming up elaborate schemes to keep his partnership with Lee Carter a secret from the Brethren community. Will and Carter&#39;s complete disregard for consequences and innocent ambition means that the process of making their film is a glorious roller-coaster that eventually leads to true friendship. They start to make a name for themselves at school as movie makers but when popularity descends on them in the form of the Pied Piper-esque French exchange student, Didier Revol, their unique friendship and their precious film are pushed, quite literally, to breaking point.
Son of Rambow, set in 1980&#39;s England, tells the story of two young schoolboys making a home-video addition to the Rambo series. This promising theme gives rise to one of the most hilarious comedies in recent cinema, memorable not only for countless laugh-out-loud moments but also for its engaging and unexpectedly moving story.<br/><br/>Will Proudfoot (Bill Milner) and Lee Carter (Will Poulter) are a chalk and cheese pairing, thrown together by chance after being summoned to detention at school. Will, from a fatherless family in the grip of the austerely religious Brethren, is a heart-warmingly polite boy harbouring a boundlessly artistic imagination; Carter, from a parentless household, is a lonely rebel with a total lack of respect for everyone except his astoundingly self-absorbed brother, marvellously played by Ed Westwick. And yet, following their chance encounter, the situation where naïve and amiable Will is exploited by sharp-witted and seemingly cynical Carter is replaced by mounting empathy and friendship between the two, alternately spurred and severed by their family backgrounds and their turbulent film-making.<br/><br/>The two leads are remarkable debut actors, making the story touching and believable and realising the film&#39;s comic potential. Poulter is hilarious in the role of Carter, delivering stinging wit and outraged putdowns with aplomb. The shooting of the film provides some hysterical contrasts between grown-up pretensions and childlike absurdity, with gun-battle sequences ripped straight from &#39;Rambo: First Blood&#39; interspersed with footage of a flying dog attack.<br/><br/>The overlapping secondary story, portraying the school-playground infatuation with the New Wave style of French exchange student Didier, is also a rich seam of humour; the stinging parody of teenage culture culminates in Will and Carter&#39;s visit to the school common room, populated by posing, pogoing teens. The supporting cast of adults also includes some fine comic actors, including Jessica Stevenson (notably of TV comedy Spaced) and Adam (of the Adam and Joe Show fame).<br/><br/>Writer-director Garth Jennings skilfully weaves together the overlapping worlds of children, teenagers and adults in this film with excellent dialogue and cinematography. The camera-work is striking in many places, particularly the opening montage of front gardens, with Lee riding his bike past and casually causing havoc. The film also benefits from its bubbly soundtrack, composed by Joby Talbot. This is a superb comedy and definitely the best Rambo film ever.
Grange Hill meets Lord of the Flies in an unlikely tale of two boys from contrasting backgrounds who decide to make a video as an entry into a kids&#39; TV film-making competition.<br/><br/>The bizarre plot has little (if anything) original to say about the story&#39;s main themes of tween friendship and dysfunctional parenting. The narrative is poorly constructed and implausible. The mawkish sentimentality of the denouement ranks alongside the most stomach-churning that Disney has ever had the poor taste to dream up.<br/><br/>But the performances of the two young leads makes the whole thing forgivable. I loved it and recommend it wholeheartedly.
The resulting tale of friendship and family touches plenty of crowd-pleasing buttons but comes across as more than a little derivative.
Son of Rambow is based on a screenplay that was written by director Garth Jennings. It was inspired by Jennings&#39; own experiences as a child in the 1980s, when video equipment first became available to the public. No. Son of Rambow isn&#39;t about Rambo; rather, it&#39;s about young boys who are inspired to make their own video after having seen <a href="/title/tt0083944/">First Blood (1982)</a> (1982). Apparently, the spelling had to be changed because of problems with copyright infringement. It is also a way of communicating to moviegoers that the film is not part of the Rambo series, which it would have seemed at first glance if spelled correctly. The &quot;mistake&quot; is acknowledged in a brief dialogue between the film&#39;s two protagonists at the end of the credits. In England education is compulsory until the age of 16, but many students stay on until they are 18. The school years when a student is 16 (or 17) and 17 (or 18) are respectively called the lower and upper sixth form (or year 12 and 13). Many schools have separate buildings for these years, and nearly all have common rooms for sixth-formers. The common room is an area where pupils can spend time when they don&#39;t have classes. Younger years will generally not have any free periods and so don&#39;t need such a facility; it therefore emphasizes the boys&#39; new-found popularity as they normally wouldn&#39;t have been allowed in. Several people have noted that Son of Rambow reminds them of Stephen King&#39;s <a href="/title/tt0092005/">Stand by Me (1986)</a> (1986) in the way that it provides a nostalgic look at the camaraderie, the coming of age, the bittersweet vulnerability, and the fantastic humor of childhood. <a href="/title/tt0095765/">Nuovo Cinema Paradiso (1988)</a> (1988) has similar themes. If you are looking for a similar British style then try <a href="/title/tt0366777/">Millions (2004)</a> (2004). The similar theme of children working on a project together but experiencing a schism is presented in <a href="/title/tt0114040/">Once in a Blue Moon (1995)</a> (1995). The first song is &quot;Over and Done With&quot; by The Proclaimers; the second song is &quot;Rebel Rebel&quot; by David Bowie.
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